Miles Davis’ Solo On. Freddie Freeloader. Concert Pitch. Bb7. • bod. • -. bo bob •. Eb7. Bb7. Bb7. I cos. – bo be ;. F7. Eb7. Aby. 9 bo boogo o bo.. 2. “Freddie Freeloader,” with Wynton Kelly on piano, is different. It’s “swinging .. Transcription of Miles Davis’ “Freddie Freeloader” trumpet solo by Jamie Breiwick . Print and download in PDF or MIDI Freddie Freeloader Piano Solo. The first piano solo on the track.

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Two copies are included: Want to add to the discussion? Become a Redditor and subscribe to one of thousands of communities. Her left-hand chord patterns taught me a great deal about substitution and comping that has significantly influenced and extended my own style.

In Relaxin’ eighth freeloaded are played as swing eighths where, instead of each being half a beat, the eighth played on the beat is held longer and the eighth played in the middle of the beat is shorter the on-the-beat eighth can be thought of as lasting two-thirds of the beat and the off-the-beat eighth lasting the last one-third of the beat. I finally transcribed it in the late eighties.

Freddie Freeloader Piano Solo sheet music for Piano download free in PDF or MIDI

Mary Lou wanted young people to be exposed to riches of the unique American art form known as jazz, or, as Duke Ellington explained, “we stopped using the word inand we much prefer to call it the American Idiom, or the Music of Freedom of Expression.


In this interpretation of Fugue 10, John Lewis plays the score up through measure 14 and then goes off into his Elliot’s Convention variation. Today is May 8,the one-hundredth anniversary of Mary Lou Williams’ birth.

Add to wish list. During this process, I discovered some differences with the notation I wrote out in and what I hear in the recording in the present time. I’ve been wanting to improve my transcribing for a while to work on my reading and sense of rhythm.

I began creating music transcriptions of piano recordings in Miles Davis – Kind of Blue. Zoning, by Mary Lou Williams, 17 January We think your country is: This progression is imbued with Monk’s unique sense of bass and chord movement.

In this score, I include image files for both pages ;iano the original key of B transcription, as well freeloadr PDF for the transposed-to-B flat version. Then after Buster Williams’ bass solo, it modulates to B-flat.

Jazz subscribe unsubscribereaders users here now New to Jazz? The chord-less copy is for students to analyze for their own study.

Jazz Listening Club

Jazz Listening Club currently: Hollywood, California, 19 November This experience made it possible to finally read time accurately in music manuscript. Alone in San FranciscoCD: Measures 33 and 34 are:.

A midi file is included to demonstrate a piano arrangement I made of the original duet of Oliver Nelon and Eric Dolphy. You’ll receive all 5 pages after purchase. These works are unique in joining Bach’s sense of musical harmony and structure with that of what manifested during the 20th century. Miles Davis Number of Pages: Become a Member Today! I had the extraordinary good fortune to study with Mary Lou Williams in As always, please seek out the CD recording to hear the real thing.


MN From the Album: Kobalt Fresdie Publishing America, Inc.

This was one of the first jazz piano recordings I heard when I began listening to jazz piano in the mid seventies. Bb Major Product Type: In my experience, transcribing is always only an approximation to the original recording.

Wynton Kelly on Freddie Freeloader

Log pinao or sign up in seconds. While in New Haven I began transcribing segments of piano recordings I wanted to learn and play.

The produces a loong-short-loong-short feel. I transcribed this song in when I came back from studying with Mary Lou Williams. My desire has always been to learn to play a version of the recording that is as close to the original as possible. In order to write a review on digital sheet music you must first have purchased the item.

Jazz – Note-for-Note Keyboard Transcriptions.

Heated fredcie and debate is expected and encouraged, but personal attacks will not be tolerated. Jazz Hard Bop Post-Bop. The transcription is a rough approximation to what he expresses in the first chorus of the recording.

It’s her bluesy jazz feeling that imbues fredeie piece, as in all her music, with an inimitable sound that is uniquely hers. At that time I remember wishing there were.

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