Theobald Boehm: Grande Polonaise for flute and piano, Op 16 – Play streams in full or download MP3 from Classical Archives (), the. Work Title, Polonaise for Flute and Piano, Op Alternative. Title, Grande Polonaise pour la Flûte avec accompagnement de Pianoforte. Œuvre Composer. Sheet Music for Flute & Piano (A-B) by Boehm, T, Grand Polonaise Op. 16, Published: Gerard Billaudot [GB], Editor: Heriche, Robert, Not Applicable.

Author: Mausar Toramar
Country: Togo
Language: English (Spanish)
Genre: Automotive
Published (Last): 1 June 2006
Pages: 216
PDF File Size: 19.47 Mb
ePub File Size: 4.70 Mb
ISBN: 856-9-57935-451-2
Downloads: 20246
Price: Free* [*Free Regsitration Required]
Uploader: Arashirr

Theobald Boehm also performed this work himself in in Munich at a charity concert for flte poor. The second movement as a Scherzo is in the form of a ‘beseda’, a national Czech dance, which as its main element uses a ‘furiant’ tempo. There seems to be no unifying element, either in the tone material or in rhythmic structures. It is probably the most played and most successful of Boehm’s eight variation works.

Untitled Document

Having left his homeland at seven to study the violin and piano in Vienna, Enescu went to Paris in to continue his musical education. In Munich he had played during three performances by Paganini in and from all his cultural tours, which included Austria, Northern Italy, England and France, he became familiar with the ingredients to be used for a successful performance.

Yamaha Plastic Flute Cleaning Rod. These are demanding works, both in terms of duration many of them are over ten minutes long and technique, and are stylistically aligned with the salon music that was popular at the time. The Theobald Boehm Complete Edition is available from www. Theobald Boehm – Grande Polonaise, Op.

So it came about that Marianna Pezzoli-Grattaroli, a well-to-do lady of the Bergamo high social circles, became Donizetti’s benefactor around This facilitated contact with various wealthy families. Indications as ‘esitante’, ‘scherzando’ impose a rhetorical character on some passages. The concerto comprises three movements which merge into each other. Joseph Hartmann Stuntz had been a student of Peter von Winter and Antonio Salieri and therefore had benefited from a solid education in composition.

T. Boehm: Grand Polonaise for Flute and Piano

The use of the oboe d’amore is in this context by no means coincidental. It is assumed that the inspiration for this work was the World Exhibition held in in Paris, at which cultures from around the world had a pavilion. She also works as a professional photographer. His nineteen string quartets, in which he could develop his skills in four-part writing, and his other chamber-music pieces were soon being played in musical salons.


Petrassi just uses the three instruments to enlarge the overall compass of the piece; he doesn’t prescribe different characters to piccolo, flute or alto flute. Erwin Schulhoff, Schriften, pp.

He made his debut as bassoonist in the Hofkapel in The Hague, later to become the conductor of the Orchestra of the Paleis voor Volksvlijt on the Frederiksplein in Amsterdam. The introductions are already different in character, due partly, of course, to the lyrics, but also because of the virtuoso traditions with which Boehm had in the meantime become acquainted. These pieces include the variations on Nel Cor Puia number of fantasies and variations, and the challenging Grande Polonaise.

Nihavend, the second movement of the Suite Persane, describes a Persian town. The last movement is a Rondino after a song of a Carpathian-Russian bear driver, of which the second part consists of a Slovakian shepherd theme in the flute accompanied by an ostinato figuration of the viola and the double bass. The Granr edition, published in Paris in the same year, is dedicated to amateurs of the flute.

Cantabile et Presto was written as the examination piece and was also set in and at the Conservatoire National.

Jupiter Silkweave Microfiber Cloth. Customers also bought Send to friend Customer reviews. Born in Munich inBoehm was the son of a jeweller, and worked in the family business from the age of Two years later, his teacher, Johann Nepomuk Kapeller, declared he had taught him all he could, and Boehm began his orchestral career, first with the Royal Isartortheaters and, from with the Royal Court Orchestra in Munich, which was one of the leading orchestras of the time. To her Donizetti dedicated several chamber-music works, e.

Interwoven is a reference to the first movement – a technique Poulenc also incorporated in the sonatas for clarinet and for oboe. He was principal flute there from The piece gained immediate popularity in the first half of the last century.


Here the piano part, richly laden with Alberti basses, serves principally as accompaniment. It maintains this status in the second movement.

While Mayr kept the heritage of the classical Viennese composers alive, Padre Mattei was known to be a great teacher of counterpoint. The opus 26 Caprices are now staples of the repertoire and provide excellent material for developing even finger work in each key. November 6, No Comments by Peter Westbrook.

The piece was dedicated to Ary van Leeuwen, undoubtedly the best-known Dutch flutist of that era. Read more product reviews. Theobald Boehm’s Grande Polonaise, one of the great virtuosic showpieces of the Early Romantic period, was one of a collection of pieces written to display the innovations of Boehm’s own new flute mechanism blehm.

There is evidence of confidence in a wide range of polohaise keys, and the full range of the instrument is used with a sense of flair and evenness of projection. These include the Grande Polonaise, Variations on Nel Polpnaise Piu, Variations on a Waltz by Schubert and some of the arrangements for alto flute, which were thought to have been lost until relatively recently.

Ask a question about this product. He opened his first flute-making workshop in at the age of 34, having built his first flute 18 years before.

Polonaise for Flute and Piano, Op.25 (Scholl, Karol)

While Boehm’s variations radiate especially his enthusiasm for virtuosity and brilliance, we encounter another concept in Schubert’s variations: English by Rien de Reede, corrected by G. By adding the double bass, Diepenbrock also added more profundity. The piano part is also eminently suitable for the harp.

Start the discussion

Leave a Reply